Quality Content Will Help You Survive Another Google Algorithm Apocalypse

Quality Content Will Help You Survive Another Google Algorithm Apocalypse

It’s happening again, June will herald the beginning of another significant change to the Google Search algorithm. News of this broke in November 2020, in which Google announced that the ‘page experience update’ would roll out as early as May 2021, but a recent post on April 19 has walked that release back to mid-June.

Algorithm changes like the page experience update are always spun as the literal end of the world by every single SEO blogger. The lynchpin of this update is to improve the user’s experience on the page they are visiting. It applies pressure to website owners to improve three Core Web Vitals scores: Largest Contentful Paint (LCP), First Input Delay (FID) and Cumulative Layout Shift (CLS).

While a constant algorithm would make for a predictable playing field, it would ignore shifts in search trends, device usage, network infrastructure and software/hardware improvements. Take a moment to examine what search would look like if we were still using ranking strategies from 2005, when only 56% of the Australian population had internet access, and 16% had broadband. Nearly all of that internet access would have occurred on a desktop device at that time, as opposed to being primarily mobile in recent years.

In this piece, I’ll cover what you need to know about the newest update, and give you one simple tip to keep your head above water.

 

Largest Contentful Paint (LCP)

Largest Contentful Paint is the time taken for the largest object above the fold (be it an image or text box) to be fully rendered within the device’s viewport. Google say that this is reflective of the time taken until the user can actually decide whether the page they are loading is useful or relevant to the reason they are on the page in the first place. LCP shouldn’t be confused with a 90s clown-themed horrorcore hip-hop duo that somehow still exists today.

We’re all guilty of leaving a slow-loading page before the LCP. You’d probably be surprised at how many people do the same thing; or are more impatient than you! A page load time of up to 10 seconds increases the probability of a bounce by 123% – scary stuff.

 

Where is the LCP in relation to a page’s fully-loaded time? On a handful of websites I analysed it often occurred around 1 second after the First Contentful Paint, and 2-3 seconds before the fully-loaded time.

On a less-optimised page, it occurred much later than the (already slow) FCP, 1 second before the fully-loaded time.

There are a few reasons why it would occur so late, on a WordPress website with a third-party page builder, bloated theme, Google fonts and plugins aplenty, it has to download a lot of different scripts, stylesheets and images. By default, those assets are downloaded one-by-one in a queue, with each asset relying on the successful completion of the last.

Google’s ideal LCP score: 2.5 seconds or less.

 

First Input Delay (FID)

How many times have you been on a website, clicked a button, and it just hasn’t done anything. So you click it again, and again, until it responds like you’ve just dropped a whole sleeve of Mentos into a Diet Coke bottle.

Unlike LCP, First Input Delay is a measure of user experience when interacting with an element on your page after you’re able to interact with it. FID is the time delay between when a user clicks a button, link or JavaScript control, and when the browser begins to process the event as a response.

Casual gamers will draw an immediate parallel to lag, the leading cause of broken controllers worldwide. This input delay can mean the difference between a game-winning headshot and a being on the receiving end of an impromptu tea leaf infusion.

The biggest cause of increased FID lag is other processes holding up the main thread queue. Think of it like when your boss tells you that he’s got a quick 5 minute job for you and doesn’t realise you’ve got a backlog of 89 other 5 minute jobs already – something just has to wait!

This is exacerbated if you’re trying to click something before the page has fully loaded, the main thread is busy doing other things like trying to get that page served, but you’re here trying to speedrun the website like a sub-5 minute 36 second playthrough of Doom. Because you’re interrupting the browser while it’s busy, it will only respond AFTER it finishes the task it’s currently working on. That delay/lag is the FID for this page.

Google’s ideal FID score: 100ms or less.

 

Cumulative Layout Shift (CLS)

How nice is it when you load a website, and all the elements show up in the right place without unfolding like some sort of demonic digital origami in front of you. This is Cumulative Layout Shift, and Google thinks that it is just as annoying as you do, and will now start penalising offenders.

If your CLS score is higher than you’d like, then the first place you should look is your images. If they don’t have defined height and width values then they will contribute to your CLS score when they load and push elements out of the way, or expands the size of their parent container. The more elements you have on the page that contribute to the shift, the worse your score will be.

I’ve found ad placeholders are especially bad for this, particularly if you’re using the Google Publisher Tag (GPT) script for your banner ads with collapseEmptyDivs set to true. I found this setting grossly inflated the CLS on two of our websites, resulting in a CLS score of around 0.63 on one. What it appeared to be doing was collapsing the ad slot divs prematurely, before it had a chance to load the ad creative. The div had a minimum height of 90px, which would then collapse and shift all content up by 90px. It would then shift it back down by the same amount once the GPT script realised the div wasn’t actually empty.

Setting collapseEmptyDivs to false resulted in the CLS dropping to 0.2 – while still not the best score, it represented a huge improvement. Leaving it set to true was ultimately useless, as we’re always serving ads, so there is no point in having that functionality, particularly if it affected a major Google ranking factor so significantly. Easy wins are the best kind.

I performed the same change on another website using an identical GPT snippet, and it yielded a similar result, 0.67 down to 0.37. Worth noting that while that website is similar in structure (WordPress, same theme, same GPT snippet) it does have different elements that I’ve discovered are contributing toward a higher CLS score.

Google’s ideal CLS score: 0.10 or less.

 

SEO Talk Is Un-bear-able

As you can see, Google are trying to reward businesses who actually care about user experience. Simply put, this update is about prioritising how quick a page loads something of value, how quick a site can respond to a user input, and how well structured the page being loaded is. COVID has taught businesses that they need to readily adapt to change, and an algorithm update is no different.

I’ve covered a lot about performance metrics above, but the one constant that will get you through any significant Google algorithm change will always be good quality content. You might have a lightning-fast website with incredible metrics, but if your content isn’t up to par you’re not going to rank for anything.

The perfect example of this is the speed test I did on the RGC website in the CLS section above. Despite being slow as hell, my McDonalds Monopoly Gamification story I wrote over a year ago consistently ranks number 1 for several search term variants based on it’s title. This little SEO engine that could rakes in hundreds of pageviews every month. I’m lovin’ it.

The sooner you realise that SEO is like running from a bear, the better. Remember, you just have to be faster than the guy behind you to avoid getting eaten.

webcasting

Expand Your Engagement Through Webcasts and Podcasts

An important consideration in building your brand is to engage with your audience in varied and creative ways. These days, your brand persona is needed to be replicated across multiple mediums and not just in static formats. Your customers are looking to engage with you in different ways than in the past.

With the power of audio and video, connecting with customers and a broad audience in an informative and intimate manner is possible on a regular basis, inexpensively and from the comfort of your own office or home.

Webcasting has accelerated over the past 12 months with the interruption brought on by the pandemic. With it not being possible to be physically present in many instances, webcasting has proliferated, offering an opportunity for brands to engage with their audience from a digital perspective. 

Services such as Zoom, Google Meet, and Teams have proliferated, not just as a means of hosting internal meetings, but as a way of presenting information and insights to audiences.

Webcasting has proven popular with event organisers to live stream events, where the audience can be opened up to many more people than can likely attend in person, and at a greatly reduced cost. 

This type of rich content can be used to build loyalty between a brand and its customers. The ability for interaction is also very important, with viewers able to interact during the webcast and also via social media platforms. 

The Power of Audio

With low production costs and few barriers to entry, podcasting as a medium is available to nearly everyone. The popularity of portable music players and smartphones has only made accessibility to podcasts easier.

Audio is still a very powerful medium, and smart brands are using it in creative ways as a powerful marketing tool. It is also a good alternative to video. Not everyone is comfortable using video, so an audio recording can be a viable alternative. People often listen to podcasts because they have an affinity to the speaker and are willing through subscribing to receive regular episodes. 

Leading Australian podcaster, Mamamia, has recently launched its latest bespoke podcast series in partnership with Westpac to help women navigate the financial side of everyday life.

What The Finance’ is an eight-episode podcast co-hosted by ex-accountant and financial educator, Melissa Browne, and actress, author and advocate Pallavi Sharda. From Savings and Debt to Housing, Investing and Relationships, the series will assist young women looking to make more informed decisions about their finances. 

There is easy to use software to help you record, create and host your podcast and will help you distribute it to multiple podcast platforms.

RGC’s Fixed Income News publishing platform has used Anchor to host its new podcast series, Fixated, which has provided access to other popular hosting services such as Google Podcasts.  

RGC Media & Marketing has its own digital studio available for Podcast and Webcast recording. If you would like to talk to us about how these opportunities can help reach new audiences please contact us on 1300 854 502 or info@rgcmm.com.au 

Australian Podcast Rankings

Australian podcast downloads hit 50 million in March, up from 43 million the previous month according to Triton Digital’s Podcast Ranker.

The Ranker provides insight into the Top 100 Podcasts in Australia as well as the Top 10 Publishers in Australia for March 2021, as measured by Triton’s Podcast Metrics measurement service.

Casefile True Crime remains ranked in the top spot, cementing the popularity of the true crime format.

Here is the Top 20 – for the full list visit Triton Digital’s Podcast Ranker.

 

news media bargain code

What Does The Facebook Settlement Mean For The News Media Bargaining Code?

Now that the dust has settled somewhat on the Australian Government’s stoush with principally Facebook and Google, what is the state of play of the highly charged News Media Bargaining Code?

In action which was closely watched around the world, the Australian Government’s code has now been brought in as law after passing through both houses of parliament. 

Both Google and Facebook have been negotiating, and in many cases signing deals, with Australian publishers with Facebook being later to the party, and after sensationally dropping Australian news from its feed in what was seen as a tough protest and negotiating tactic. Facebook returned news for Australian users after getting some changes from the Australian Government following its dramatic decision to drop news.

The news media bargaining code was introduced by the Australian Competition and Consumer Commission in an attempt to force Facebook and Google to pay for the news content they publish on their platforms.

Facebook had asserted that the value in the news chain for its platform was strongly in favour of news publishers, saying, “… last year Facebook generated approximately 5.1 billion free referrals to Australian publishers worth an estimated AU$407 million to the news industry.”

The code allows eligible Australian media organisations to bargain with Google and Facebook to secure fair payment for their news content. The code isn’t mandating how much should be paid, but rather providing a compulsory negotiating process in the absence of direct deals being struck. 

A statement from Australian Treasurer Josh Frydenberg and Communications Minister Paul Fletcher said the code “provides a framework for good faith negotiations between the parties and a fair and balanced arbitration process to resolve outstanding disputes.

“The Code will ensure that news media businesses are fairly remunerated for the content they generate, helping to sustain public interest journalism in Australia.”

What deals are being done?

On the 15th March 2021, News Corp announced that it “… has reached a multi-year agreement to provide access to trusted news and information to millions of Facebook users in Australia through its Facebook News product.”

The agreement involves News Corp Australia and includes The Australian national newspaper, the news.com.au news site, major metropolitan mastheads like The Daily Telegraph in New South Wales, Herald Sun in Victoria and The Courier-Mail in Queensland and regional and community publications.

News Corp also said Sky News Australia has reached a new agreement with Facebook which extends and significantly builds on an existing arrangement. News Corp also has news payment deals with Google and Apple.

The News Corp agreement follows Facebook deals with Seven West Media, and private publishers Private Media, Schwartz Media and Solstice Media.

It is understood that Nine Entertainment Co also has signed a letter of intent with Facebook with an announcement expected soon.

Google has been far quicker to negotiate deals than Facebook. Google announced a deal worth A$30 million with Seven West Media in February for news content for its Google Showcase product. 

Seven West Media managing director and chief executive officer, James Warburton, said: “Both agreements are a significant step forward for Australian news media and are a clear acknowledgement by all parties of the value and importance of original news content.”

Google also has announced deals with Guardian Australia and a $30 million deal with Nine. 

Why is Facebook more reluctant to make deals?

Quite simply, competition. Google has more, especially in search, and Facebook as a giant social network has less, argues Peter Martin, visiting fellow, Crawford School of Public Policy, Australian National University. 

Facebook has said that only about four per cent of posts on the platform are works of journalism. As the pre-eminent social network, it really doesn’t have a significant competitor. Google’s service relies a lot more on news articles, and Microsoft has indicated it supports the legislation and would commit its Bing search service to remain in Australia “and that it is prepared to share revenue with news organizations under the rules that Google and Facebook are rejecting.”

One could also surmise that Google and Facebook could see that by doing the deals now it would save them much money, especially when under the code an independent arbitrator would determine the final value of a deal.

For now, a number of our publishers are getting some much needed additional revenue. It is not known, however, how much of this will be channelled back into journalism and newsrooms. The code does not mandate this.

Update 6 May 2021

Seven West Media has now signed agreements with both Google and Facebook which will see the two companies pay Seven to publish news from Seven. It has signed on for a three-year deal with Facebook and five years with Google.

Australian Community Media has signed a letter of intent with Facebook to provide news and information through Facebook News. The deal will involve over 40 ACM regional, rural and suburban mastheads and publications. Some of the publications include the Newcastle Herald, Bendigo Advertiser, Canberra Times, and the Illawarra Mercury.